The Carol Shields Prize for Fiction 2024 (2 of 4)

2024-04-08T21:04:26-04:00

Louise Erdrich and Barbara Kingsolver, Amy Tan and Elizabeth Strout: these are some of the writers whose stories about parenting, and being parented, stand out in my mind. Claudia Dey’s fiction could be included here, too, although her stories spiral around alienation and abandonment—the ways in which those who

The Carol Shields Prize for Fiction 2024 (2 of 4)2024-04-08T21:04:26-04:00

Dear Reader: What’s Told? Or, the Telling of It?

2020-05-15T15:05:12-04:00

In my recent reading, it’s been as much about how the story is told as it’s been about the story itself. This certainly isn’t a new idea—these examples span three decades—but sometimes the phenomenon is more prevalent in my stacks. Maybe you’ve read some of these, or maybe

Dear Reader: What’s Told? Or, the Telling of It?2020-05-15T15:05:12-04:00

Mavis Gallant’s “The Captive Niece” (1968)

2020-02-05T15:24:29-05:00

As this collection nears its end (the next story is its last), I find myself thinking more about the concept of being “in transit”. About how we often meet the characters in this story when they are at their most rooted. But how the title of the collection allows

Mavis Gallant’s “The Captive Niece” (1968)2020-02-05T15:24:29-05:00

Dreams and Nightmares: the Long and Short of It

2020-03-11T17:04:18-04:00

Yesterday, I chatted about one of my favourites from this year’s Giller Prize longlist. Tomorrow, I’ll be chatting about the most talked-about from this year’s longlist, Margaret Atwood’s The Testaments, as part of #MARM Margaret Atwood Reading Month. So, today, the other books on the longlist, the ones I

Dreams and Nightmares: the Long and Short of It2020-03-11T17:04:18-04:00

Beyond I Know Why the Caged Bird Sings (1969)

2018-03-22T11:23:49-04:00

The first volume of Maya Angelou's autobiography begins with Marguerite arriving in Stamps, Arkansas, at three years old, with her brother, Bailey, one year older, in the care of Miss. Annie Henderson, their grandmother ("Momma"). It moves from the store to the churchyard, from hymn-singing to beatings. It crosses time and space fluidly.

Beyond I Know Why the Caged Bird Sings (1969)2018-03-22T11:23:49-04:00
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