Open a book this minute and start reading. Don’t move until you’ve reached page fifty. Until you’ve buried your thoughts in print. Cover yourself with words. Wash yourself away. Dissolve. Carol Shields Republic of Love

Louise Erdrich’s Love Medicine (1984)

“Since writing Love Medicine, I have understood that I am writing one long book in which the main chapters are also books titled Tracks, Four Souls, The Bingo Palace, The Last Report on the Miracles at Little No Horse and The Painted Drum. The characters appear and disappear in my consciousness – a lamentable, messy […]

Share

Louise Erdrich’s Four Souls (2004)

As with Tracks, the primary voices in Four Souls are Fleur’s and Nanapush’s.

So, although it was published more than ten years later, I opted to read Four Souls next, to keep these characters fresher in mind and heart, hoping for a deeper understanding.

Two other women play significant roles in this story as well […]

Share

Margaret Millar’s The Listening Walls (1959; 2016)

Although some of the characters in the Margaret Millar mysteries I have read answer their own phones, many answer other people’s phones instead: the telephones of older or more privileged relatives or those of their bosses. There’s even a switchboard operator in the mix, along with a woman better known for not answering calls at […]

Share

Margaret Millar’s An Air that Kills (1957; 2016)

Because so many of Margaret Millar’s novels consider married couples – often at the point in which the relationship is strained, if not fractured – one wonders about her relationship with Ken Millar (better known as Ross MacDonald, who also wrote mysteries).

Did they squabble like Esther and Ron do at the beginning of An […]

Share

Margaret Millar’s A Beast in View (1955; 2016)

She won the Edgar for it in 1956: Best Novel. (If you are looking for new reading lists, the Edgar Award’s site is filled with temptations.)

And it was the first of three, later awards being given for The Fiend in 1965 and Beyond This Point Are Monsters in 1971. (She would receive The Grand Master Award […]

Share

Margaret Millar’s Wives and Lovers (1954; 2016)

Readers familiar with Margaret Millar’s suspense novels, will immediately recognize her style and language in Wives and Lovers. (Just yesterday I discussed Vanish in an Instant, another volume in the Syndicate reprint series.)

“It was a shoebox of a room, with the ceiling pressed down on it like a lid, and Gordon and herself, two mis-mated […]

Share

The Promise Falls Trilogy

Promise Falls has a history. You might not think so, but it matters.

“Are we too insignificant up here: A couple of hours away from New York? Is that what we’re foolish enough to think? Let me tell you something, my friend. You want to strike fear into the hearts of Americans? Then go to […]

Share

Madeleine Thien’s Do Not Say We Have Nothing (2016): Third Variation

This is the third of three posts spiralling around the notes made while reading Do Not Say We Have Nothing. Each with ten parts. Thirty segments. As though my post is the aria and the thirty segments are the variations. In recognition of the importance which Bach’s Goldberg Variations holds in relationship to the novel.

[…]

Share

Madeleine Thien’s Do Not Say We Have Nothing (2016): Second Variation

This is the second of three posts spiralling around the notes made while reading Do Not Say We Have Nothing. Each with ten parts. Thirty segments. As though my post is the aria and the thirty segments are the variations. In recognition of the importance which Bach’s Goldberg Variations holds in relationship to the novel.

Although […]

Share

Madeleine Thien’s Do Not Say We Have Nothing (2016): First Variation

This will be the first of three posts spiralling around notes made while reading Do Not Say We Have Nothing.

Each with ten parts. Thirty segments. As though my post is the aria and the thirty segments are the variations.

In recognition of the importance which Bach’s Goldberg Variations holds in relationship to the novel.

[…]

Share