This week, we are invited to pair up a nonfiction book with a fiction title. "It can be a 'If you loved this book, read this!' or just two titles that you think would go well together. Maybe it’s a historical novel and you’d like to get the real
Readers meet a woman up in the air. Literally. She is flying to Athens, where she will teach a course in creative writing. This is Outline. Perhaps partly because she could instruct in the art of outlining, demonstrate for her students the art of constructing a framework on which
These are the kinds of stories which expose the imperfections which lie beneath a carefully smoothed comforter. Honest characterization is key, Lisa McInerney explains to Marie Gethins,: "There is absolutely no element or aspect of their characters’ lives a writer should shy away from presenting, no matter how unpleasant.
Many of Margaret Millar's characters have had an escape, often in the face of difficulty. Robert has achieved the ultimate escape - he has disappeared - and readers wonder whether that was deliberate or accidental, malicious or ambitious. "The world of Robert’s maps was nice and flat and simple. It
From the outset, The Fiend has a creepy element which readers hadn't yet experienced in the fiction Margaret Millar had published theretofore. "She was about nine. Having watched them all impartially now for two weeks, Charlie had come to like her the best." You're afraid to ask, aren't you: why