Another voice-driven young woman’s story—Fatima Daas’s The Last One (2021)—held me rapt throughout. At first, I wondered if the repetitive variations on “My name is Fatima” that open each segment of the story would grate on me but, perhaps because the prose is arranged so that it’s almost-verse-like, it
Here’s a glimpse of some recent reads which lend themselves more to sampling, in a handful of reading sessions, than gobbling in longer periods of time. Not the books which require a sink-into-your-seat focus, the ones which afford the opportunity to window-gaze between pages. Recently I’ve been missing a
Even though I should have known better, I started to read Miriam Toews’ new novel, Fight Night, shortly before bed and then stayed up to finish it. Because Shiv’s voice is irresistible and the story of life with her grandmother and her mother was so hilarious and moving. But
I’ve been to the islands in my summer reading this year: Norwegian, Atlantic Canadian, Jamaican, Greenlandian and Sri Lankan. Roy Jacobsen’s Ingrid trilogy landed in my stack thanks to a reading copy of White Shadow from Biblioasis, translated by Don Bartlett and Don Shaw. Partly because I liked the
Nancy Johnson’s The Kindest Lie (2021) reminds me of Terry McMillan for its focus on Black working women’s lives and Brit Bennett’s The Mothers for its slant towards mothering. The novel looks back, specifically to the election of Barack Obama in 2008: “Their feet felt light and their chests,
