Earlier this year, Karen and Lizzy hosted ReadIndies and it reminded me how many years had passed since an installment of my Fiercely Reading Indie project (the most extensive was my deep-dive into House of Anansi’s backlist). Maybe I’d slipped into devotedly reading from the Big Five, I wondered.
Nancy Johnson’s The Kindest Lie (2021) reminds me of Terry McMillan for its focus on Black working women’s lives and Brit Bennett’s The Mothers for its slant towards mothering. The novel looks back, specifically to the election of Barack Obama in 2008: “Their feet felt light and their chests,
It’s a time of “political and intellectual crisis” in The Little Company. Sound familiar? Drusilla Modjeska’s introduction situates readers in Dark’s depiction of ordinary life in Sydney and Katoomba, in this time of “recession, nuclear threat and more failed expectations” in Australia. The Little Company is Dark’s seventh novel,
The call for witnesses in The Stone Diaries resonates throughout Shields’ work: “Life is an endless recruiting of witnesses. It seems we need to be observed in our postures of extravagance or shame, we need attention paid to us. Our own memory is altogether too cherishing, which is the
If you’re the kind of reader who particularly enjoys the idea of stories intersecting and connecting, this one’s for you. If you would have enjoyed Elizabeth Strout’s Olive Kitteridge just as much if the stories had appeared all jumbled. And, if you loved the film Sliding Doors and the
