In My Reading Log, Summer 2017

2017-07-28T18:17:28+00:00

In which there is talk of novels which were read too quickly to allow for extensive note-taking and snapshots: good reading. Yewande Omotoso's The Woman Next Door (2017) Longlisted for the Women's Fiction Prize this year, this story about two women in their eighties, neighbours in South Africa, is quietly

In My Reading Log, Summer 2017 2017-07-28T18:17:28+00:00

Mavis Gallant’s “Going Ashore” (1954)

2017-03-26T10:37:34+00:00

For the first time, twelve-year-old Emma Ellinger feels truly connected to her mother. They are finally “doing something together, alone, with no man, no Uncle Anyone, to interfere". Tangier, Moracco 1887 Click for source data It's true that the cruise hasn't gone entirely as planned; they have packed the

Mavis Gallant’s “Going Ashore” (1954) 2017-03-26T10:37:34+00:00

Reading Louise Erdrich: At Last

2017-04-26T13:24:01+00:00

For years, vaguely since I collected The Bingo Palace with a university course in mind (but there was never enough time to read all the books I planned to read for papers) and intensely since falling in love with The Last Miracle at Little No Horse, I've wanted to go

Reading Louise Erdrich: At Last 2017-04-26T13:24:01+00:00

Madeleine Thien’s Do Not Say We Have Nothing (2016): Third Variation

2017-07-24T14:32:10+00:00

This is the third of three posts spiralling around the notes made while reading Do Not Say We Have Nothing. Each with ten parts. Thirty segments. As though my post is the aria and the thirty segments are the variations. In recognition of the importance which Bach's Goldberg Variations holds

Madeleine Thien’s Do Not Say We Have Nothing (2016): Third Variation 2017-07-24T14:32:10+00:00

Madeleine Thien’s Do Not Say We Have Nothing (2016): Second Variation

2017-07-24T14:32:18+00:00

This is the second of three posts spiralling around the notes made while reading Do Not Say We Have Nothing. Each with ten parts. Thirty segments. As though my post is the aria and the thirty segments are the variations. In recognition of the importance which Bach's Goldberg Variations holds in

Madeleine Thien’s Do Not Say We Have Nothing (2016): Second Variation 2017-07-24T14:32:18+00:00