Mavis Gallant’s “French Crenellation” (1981)

2018-01-08T18:37:51-05:00

Evidence of Mavis Gallant's wit is abound in this super short story. Tongue firmly wedged in cheek, readers marvel with the imagined writer of this short piece. A writer whose familiarity with French Crenellation is abundant. (Whereas the writer's observations left me doubting my own understanding of it, so I

Mavis Gallant’s “French Crenellation” (1981)2018-01-08T18:37:51-05:00

Graeme Gibson’s Five Legs (1969)

2014-03-20T15:35:24-04:00

Five Legs, perhaps surprisingly, is a novel of two -- not five -- parts. The first is in the voice of Professor Lucan Crackell. Take "stymied creativity" and a "failed imagination": an "amiable hypocrite who consoles himself with power in the institution, getting drunk with his students, and

Graeme Gibson’s Five Legs (1969)2014-03-20T15:35:24-04:00

Maya Angelou: Heroine Reads

2014-03-10T20:51:04-04:00

Maya Angelou’s I Know Why the Caged Bird Sings (1969) Bantam, 1971 It’s ironic that what most stands out in the first volume of Maya Angelou’s autobiography is her voice; when she was a girl, she stopped speaking for a time, but, in looking back on the experiences of her

Maya Angelou: Heroine Reads2014-03-10T20:51:04-04:00

Reading Relationally

2014-07-11T15:58:32-04:00

Judy Blume's Blubber (1974) Jean Little's One to Grow On (1969) Sheila Greenwald's It All Began with Jane Eyre (1980) Louise Fitzhugh's Harriet the Spy (1964) Previous shelf-discovery posts I've made have focussed on historical fiction (here, here and here) and post-apocalyptic fiction, mysteries (here) and fantasies, but the majority of my

Reading Relationally2014-07-11T15:58:32-04:00
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