I borrowed books in this series repeatedly as a girl. I knew exactly which shelves they were on. If that old library was still operational, I think I could find them in an instant. What I wasn't so sure of, was whether I would enjoy the stories as much as
Remember those book banners whose knickers were all twisted up over this collection? I bet this week’s stories, “Baptizing” and “Epilogue: The Photographer”, really got them going. Del has ::whispers:: met a boy. She’s still sorting out what that means. She’s still unsure what it means to be a boy.
Blindfolded, only hearing the prose, or seeing the opening lines pulled from the narrative, would you recognize these stories to be the work of Alice Munro based on the first few sentences alone? The opening of “Changes and Ceremonies”: Boys’ hate was dangerous, it was keen and bright, a miraculous
When I was browsing the library stacks the other day, looking for the next volume in Maya Angelou’s autobiography, I happened upon this: JoAnn McCaig’s Reading In: Alice Munro’s Archives. And isn’t that just how it happens? How stacks of library books get out of hand? But how could I
Early in Lives of Girls and Women, readers learn that Jubilee is "not part of town, but it was not part of the country either”. Del Jordan isn’t exactly sure where she belongs either. Readers of Dance of the Happy Shades will recognize Jubilee; some of its stories take place
