Readers might expect a retelling of the ancient Greek tale of Paris and Helen to be a bulky, wordy novel as useful for propping up a window on a hot summer day as for entertainment; but Jonatham Bennett's contemporary version of the story is a slim, polished novel that one would need to
“We crave narrative,” Joe tells us. And the Reader who picks up Arjun Basu’s Waiting for the Man nods: a narrative craver. ECW Press, 2014 “We believe we are uninteresting without a compelling story.” But Joe himself no longer finds his story compelling. The Reader meets Joe when
When the angels invaded the plotline of "Supernatural", I stopped watching weekly. I prefer stone rabbits and hedgehogs in my flowerbeds, over white winged statues. And when a girlfriend told me that the child she lost at full-term is an angel now, I struggled to keep my face expressionless, silently repeating
Three for three: I've read all three of Stacey May Fowles' novels straight-through. It just happened. But although it was true of Be Good and Fear of Fighting, I was prepared to take my time with Infidelity, an emotionally exhausting subject. But, then, it happened again. Perhaps it simply comes down
There is no great mystery at the heart of Jennifer LoveGrove's debut novel. No simple explanation for the way its pages turn, relentlessly. Emily's story is a quiet story, the ground beneath her feet shifting subtly, though inexorably. In relaying her story to readers, Jennifer LoveGrove makes a series of
