Crooks, Drain, Freeman, Mukasonga, and Philyaw Short Stories in January, February and March Whether in a dedicated collection or a magazine, these stories capture a variety of reading moods. This quarter, I returned to some favourite writers and also explored several new-to-me story writers.
While I put the finishing touches on the pie-charts and calculations from 2020’s reading log, there are just a couple other books to talk about that I read (mostly) over the holiday break. Ruth Gilligan’s The Butchers’ Blessing (2020) is praised by two writers who snag my attention: Colum
This isn’t a book I planned to read. From my perspective, Brockovich’s activism is more relevant to American readers and I’d be better off reading Maude Barlow’s Whose Water Is It Anyway? (2019). In some respects, this is true. Brockovich does present some detailed information and updates about water
Nobody needs to convince you that the ocean is vast. But relevant? Readers who share Trethewey’s belief that “the ocean’s story is also our own” will be more likely to pick up this volume. Many of us understand her launching spot: “The watery surface is a place of transit
Lisa Moore builds folks from the ink up: she is standout at characterization. Groundwood Books, 2016 One of the elements that makes her characters so convincing is the echo effect, the reverberations off seemingly extraneous details (in images, in descriptions, in settings) to construct multi-faceted individuals. Readers who have
