Despite its sedate and unassuming cover, Pauline Holdstock's The Hunter and the Wild Girl begins in a rush. Goose Lane, 2015 "With a shriek of splintering boards, the girl breaks into daylight and stands blinded, panting, sucking air as if it were a great hot soup, her chest
In the autumn of 2014, the press release celebrating Goose Lane's 60th birthday landed in my mailbox. It arrived when I was in a nostalgic mood, and I wandered around the house, randomly pulling their publications from the shelves. Some I could distinctly remember purchasing and others I have picked up on a
When I was in the tenth grade, nothing about technology intimidated me. I signed up for classes in high school which taught binary and how to write simple programs, and my first full-time job was working with a woman who could program in COBOL. Goose Lane Editions, 2015
A book-length demonstration of propulsive prose. This is the word that I wrote in capital letters, in the margins of my reading diary about Mark Anthony Jarman's Knife Party at the Hotel Europa (2015), but then I wondered if I had subconsciously (deliberately, even!) lifted it from the cover. It sounds like
As much as these stories focus on solitary characters who observe, from the margins, they long for something else; Walt and Mr. Jones are ultimately preoccupied with relationships. Goose Lane Editions, 2014 Margaret Sweatman's Mr. Jones openly confronts duplicity. "His life had been contrary, a series of duplications: two homes; a father who’d
