Louise Erdrich’s The Round House (2012)

2018-06-20T17:21:57-04:00

“Those assholes again? Nah, he said. So I knew his aunt or Elwin had done it.” Violence permeates Joe’s life. It simmers beneath the surface of every single day. But in The Round House it erupts, nearly eclipses every other aspect of life for awhile. Something happens to his

Louise Erdrich’s The Round House (2012)2018-06-20T17:21:57-04:00

Louise Erdrich’s The Last Report on the Miracles of Little No Horse (2001)

2018-06-12T18:20:12-04:00

It was displayed on the wooden bookcase in the entrance way of the city library which was reserved for new books. The display was unmarked, near where the building’s security guard sat next to the front doors, no label and no sign, but the only thing to look at

Louise Erdrich’s The Last Report on the Miracles of Little No Horse (2001)2018-06-12T18:20:12-04:00

Louise Erdrich’s The Bingo Palace (1994)

2018-06-12T18:04:44-04:00

Although it played a vital role in establishing the author’s reputation for story-crafting, The Bingo Palace feels like a single dish, served without accompaniments, on what has become, in the years since, a rich and varied menu. The emphasis on story-telling was there in the beginning, however, in a

Louise Erdrich’s The Bingo Palace (1994)2018-06-12T18:04:44-04:00

Louise Erdrich’s The Beet Queen (1985)

2018-01-17T15:28:33-05:00

The longer the books in the Love Medicine cycle, the harder it is to recall that Louise Erdrich began with short fiction, stories which linked, interconnected, taking their own time to draw in their circles before spiralling outward once more. Tracks and Four Souls were slim volumes, but readers

Louise Erdrich’s The Beet Queen (1985)2018-01-17T15:28:33-05:00
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