Dirty Work by Eyal Press (2021) landed in my stack following an interview with the New York Times Book Review editor. Its subtitle—Essential Jobs and the Hidden Toll of Inequality in America—summarizes the content aptly, but doesn’t express how un-put-down-able I found this book. Most of the time, when
Adam Wilson’s Sensation Machines (2020) is smart and disturbing, subversive and entertaining. It’s set in an eerily could-be-now New York City: “Headlines warned of rising sea levels and methane emissions. Chronicled the continuing barrage of Weinstein-esque behavior in politics and entertainment. Addressed the uptick in anti-immigration violence in the
“We crave narrative,” Joe tells us. And the Reader who picks up Arjun Basu’s Waiting for the Man nods: a narrative craver. ECW Press, 2014 “We believe we are uninteresting without a compelling story.” But Joe himself no longer finds his story compelling. The Reader meets Joe when
