My progress through Gabrielle Roy's works has been slow but steady, and this month I requested one of the children's books, which I held out for myself as a reward for finishing six of her novels. My treat was to be Cliptail, but the only copy available in the public
Just as the jury enjoyed reading the stories submitted for tthe 2014 Journey Prize, other readers can also value the "exposure to a new generation of writers who are extending the tradition of Canadian short fiction well into the twenty-first century". McClelland & Stewart, 2014. Edited by Steven
After hearing Michael Crummey read two poems from this collection on "The Next Chapter", I rushed to find a copy of Under the Keel. House of Anansi, 2013 (Rushing is relative, mind you; I am chronically behind in listening to bookish podcasts: this interview actually aired in September 2013.)
Ater a year of new-new-new, January has been filled with the familiar, the known. It's not been about making new-shiny-library-residing friends, but about becoming better acquainted with long-time residents of my own bookshelves, remembering what drew particular authors onto my MRE (MustReadEverything) list and particular books onto my shelves. Have
Although I always have a small stack of books underway, I have carried to extremes this act of multi-booking this summer. Yesterday I finished Michael Crummey’s new novel (Sweetland), Alison Wearing’s memoir (Confessions of a Fairy’s Daughter), Jan Zwicky’s poetry collection, the second volume in the Fruits Basket manga series,
