Hannah Kent’s Burial Rites (2013)

2014-06-26T14:34:44-04:00

Who is Agnes? Little, Brown and Company, 2013 "Criminal. The word hangs in the air. Heavy, unmoved by the bluster of the wind. I want to shake my head. That word does not belong to me, I want to say. It doesn’t fit me or who I am.

Hannah Kent’s Burial Rites (2013)2014-06-26T14:34:44-04:00

Accepting and Adjusting: Americanah and The Blondes

2014-03-23T08:39:29-04:00

In an effort to manage out-of-control stacks of reading, I try to choose disparate stories in the mass of current reads. Slipping Emily Schultz's The Blondes in with Chimamanda Ngozi Adichie's Americanah seemed like a good bet. A fantastic tale of a plague which seems to infect blonde women. Ifemelu

Accepting and Adjusting: Americanah and The Blondes2014-03-23T08:39:29-04:00

Margaret Atwood’s Maddaddam (2013)

2019-08-28T13:07:42-04:00

Because Maddaddam is the last work in a trilogy, it's appropriate to consider the author's comments on endings. McClelland & Stewart - Random House of Canada, 2013 They are hard, she says, in interview with Martin Halliwell in 2003, the same year that Oryx and Crake, the first

Margaret Atwood’s Maddaddam (2013)2019-08-28T13:07:42-04:00

Rachel Kushner’s The Flamethrowers (2013)

2014-05-13T15:40:02-04:00

Inspired by women who were driven and successful in spheres traditionally dominated by men, Rachel Kushner presents Reno. Scribner - Simon & Schuster, 2013 One might use the same words to describe this fictional woman that Jonathan Franzen used to describe her creator, when she was his student

Rachel Kushner’s The Flamethrowers (2013)2014-05-13T15:40:02-04:00
Go to Top