February 2015, In My Notebook

2021-01-12T15:12:30-05:00

Mid-way through February, not one book in my reading log for this year bears a 2015 publication date. Not even 2014. The book published most recently was Carla Gunn's Amphibian, from Coach House Books in 2009. Although I'm not exactly pulling Ovid and Milton, Aphra Behn or Jane Austen from

February 2015, In My Notebook2021-01-12T15:12:30-05:00

“Comfort” Alice Munro

2015-02-23T10:07:50-05:00

While Nina was playing tennis, Lewis was killing himself. Readers learn this at the outset. Nina played; Lewis died. Back and forth across the net, Nina volleyed and returned serves; Lewis plunged downward into first unconsciousness, then... Into, what? As a science teacher, who insisted that evolution be taught in classrooms

“Comfort” Alice Munro2015-02-23T10:07:50-05:00

Emerging and Established: The Journey Prize Stories 26 and Margaret Atwood

2018-10-19T14:53:24-04:00

Just as the jury enjoyed reading the stories submitted for tthe 2014 Journey Prize, other readers can also value the "exposure to a new generation of writers who are extending the tradition of Canadian short fiction well into the twenty-first century". McClelland & Stewart, 2014. Edited by Steven

Emerging and Established: The Journey Prize Stories 26 and Margaret Atwood2018-10-19T14:53:24-04:00

Molly Peacock’s Alphabetique (2014)

2015-02-18T14:21:49-05:00

Molly Peacock's Paradise, Piece by Piece (1998) reconstructs the poet's life using fragments of memory and experience, in orderly lines of text. The Paper Garden: Mrs. Delany Begins Her Life's Work at 72 (2010) is a biography, sumptuously illustrated. Both books consider women's work and creativity (among other things). McClelland

Molly Peacock’s Alphabetique (2014)2015-02-18T14:21:49-05:00

Mireille Silcoff’s Chez L’Arabe (2014)

2017-07-24T15:11:50-04:00

Weeks after reading these stories, a glance at the table of contents brings back their characters and arcs in a moment. (With "Flower Watching" and "Eskimos" I also required the aid of the characters' names I'd noted.) These stories stood out, not only as independent narratives but, simultaneously, for the

Mireille Silcoff’s Chez L’Arabe (2014)2017-07-24T15:11:50-04:00
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