Alice Simpson’s Ballroom (2014)

2014-10-27T16:51:21-04:00

The reader moves onto the floor with great excitement, turning the initial pages of a debut novel, heartbeat slightly accelerated, hopes and expectations heightened. It is a dance: this movement between reader and story. Alice Simpson's Ballroom takes that connection seriously. HarperCollins, 2014 The very structure of the

Alice Simpson’s Ballroom (2014)2014-10-27T16:51:21-04:00

Broken: Careers, Contracts, Society

2014-09-29T08:11:50-04:00

Each of these novels considers a shattered state of being, whether the devastation plays out through the cycle of addiction or societal breakdown or international conflicts. The characters employ a variety of coping mechanisms and the authors' styles are diverse; Elizabeth Renzetti's Based on a True Story, Edan Lepucki's California and Audrey

Broken: Careers, Contracts, Society2014-09-29T08:11:50-04:00

Diversiverse 2014 – Reading more diversely

2017-07-24T15:12:41-04:00

Of course I made a reading list. Then, I saw Vasilly’s list. (You probably already know where this is heading.) Her list has many temptations on it, including some of my favourites. But I have been looking for a reason to read the rest of Kazu Kibuishi’s Amulet series since I

Diversiverse 2014 – Reading more diversely2017-07-24T15:12:41-04:00

Nadia Bozak’s Borders

2019-10-22T12:23:48-04:00

Excerpt from reading journal: Nadia Bozak is the reason that I have copies of the three books in Cormac McCarthy’s Border Trilogy on my shelves. Books that I never planned to read, but I came across the idea that the works were somehow connected with her novels Orphan Love and

Nadia Bozak’s Borders2019-10-22T12:23:48-04:00

Heather O’Neill’s The Girl Who Was Saturday Night (2014)

2014-10-07T15:10:37-04:00

When a passage on page two is just breathtakingly powerful, readers’ expectations soar. It seems impossible to imagine reading beyond this passage without stopping to reread, or not reading it aloud to a friend sitting alongside, or not tapping the stranger sitting next to you, pointing and saying “Check this out”.

Heather O’Neill’s The Girl Who Was Saturday Night (2014)2014-10-07T15:10:37-04:00
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