I can’t tell whether I enjoyed “Airborne” for its own sake—hanging out with these older women who’ve been friends for so long—or because it resonated so strongly for me with the new memoir by her longtime friend, Canadian writer Susan Swan, which I read this summer, Big Girls Don’t Cry.

MA contributes the introduction to this book she could never have written: “Because I’m short,” she elaborates. (Swan was born in 1945, just six years after MA.)

Their “unlikely friendship” was struck in the later 70s, when Swan was a “hotshot arts reporter” and interviewed Atwood after she’d published a new book. “She remembers me in a black cape, looking like something out of a Victorian melodrama; I remember her as a blond bombshell, reminiscent of a prima donna in a Wagnerian opera.” A tall bombshell. (These quotes are from the introduction, not MA’s memoir, just to be clear.)

Swan reflects on how her younger-self’s opinions align and diverge from her present-day thinking. About privilege and entitlement, access and boundaries. “Rereading the diaries… I’m touched by our longing to have what we thought all men had—power and authority and the freedom to act without restraint along with the ability to escape consequences.” [Her ‘our’ is expressed about women in general, not any one woman.]

But reality was not that simple, she says: “An idealization if ever there were one. How many men really feel capable of this? Isn’t this idealization dependent on a specific concept of maleness: wealth, whiteness, health, and heterosexuality?”

MARM 2025 PLANS

Launch (November 1)
Old Babes in the Wood, “Death by Clamshell” (November 4)
The Blind Assassin Parts I-IV (November 6)
Week Two: Update and Check-In (November 8)
Old Babes in the Wood, “Freeforall” (November 11)
The Blind Assassin Parts V-VI (November 13)
Week Three: Update and Check-In (November 15)
Margaret Atwood’s 86th Birthday (November 18)
Old Babes in the Wood, “Metepsychosis” (November 18)
The Blind Assassin Parts VII-IX (November 20)
Week Four: Update and Check-In (November 22)
Old Babes in the Wood, “Airborne: A Symposium” (November 25)
The Blind Assassin Parts X-XV (November 27)
Wrap-Up (November 30)

In “Airborne” Leonie looks back too. She comments on behaviours that characterized that era which seem unthinkable now. “So many offers to give us what we needed, which was a good raping,” she says.

And women faced condemnation and judgement that men eluded. Publishers and critics dismissed and attacked Leonie’s book about the French Revolution (a topic which figures prominently in MA’s Substack) for instance. Her subtitle was removed (too academic) and an exclamation point was added (more dramatic). And she got nasty letters too. “Most of the letter-writers hadn’t actually read the book but were reacting to Leonie’s photo, attached to the newspaper reviews.”

Back to her memoir, Swan also writes about the condemnation directed exclusively at women in the wake of divorce:

…the “assumption that the divorce is the woman’s fault, that if she had only been more sympathetic, more sexy and alluring, more generous-minded, more intelligent and far-seeing, if she had only asked for less and give more, if she had only done what women do, which is manage the emotional labour of relationships, there would be no separation and the children would have been spared the hardship of divorce.”

Swan being Atwood’s contemporary makes it extra interesting to read, in connection with not only MA’s own memoir, but also in relationship to this story about how friendships endure and evolve over time. (The title story in OBitW also fits brilliantly in this mix, but that will be part of next year’s MARM.)

Although I absolutely love the Nell and Tig stories, I’d also have been happy to read an entire collection (and further additions) of stories about the women in “Airborne” (which read a little like the women of The Robber Bride in orthopedic shoes), although I wouldn’t choose this one as a favourite in the context of this particular collection.

MARM Quote-of-the-Week

Margaret Atwood

Q “Is your hair really like that, or do you get it done?”
A “If I got it done, would I do this?”
|Memories from 1972 book tour, recounted in Book of Lives (2025)|