Open a book this minute and start reading. Don’t move until you’ve reached page fifty. Until you’ve buried your thoughts in print. Cover yourself with words. Wash yourself away. Dissolve. Carol Shields Republic of Love

A Really Good Brown Girl: Marilyn Dumont

First published in 1996, Marilyn Dumont’s debut – A Really Good Brown Girl – was reprinted thirteen times and later republished as part of Brick Books’ classic series in 2013.

In Lee Maracle’s  introduction, she talks about keeping a worn copy next to her bed, taking good care of it.

Like it “was made of ancient […]

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On Michael Helm’s After James (and other puzzling novels)

“Perhaps the most brave and honest review of After James should restrict itself to two words: Read it.”

Could be that Angie Abdou got it right, when she reviewed Michael Helm’s After James and concluded with this.

McClelland & Stewart, 2016

But she did a fine job of reviewing it in “The Winnipeg Review” all the […]

The Promise Falls Trilogy

Promise Falls has a history. You might not think so, but it matters.

“Are we too insignificant up here: A couple of hours away from New York? Is that what we’re foolish enough to think? Let me tell you something, my friend. You want to strike fear into the hearts of Americans? Then go to […]

Madeleine Thien’s Do Not Say We Have Nothing (2016): Third Variation

This is the third of three posts spiralling around the notes made while reading Do Not Say We Have Nothing. Each with ten parts. Thirty segments. As though my post is the aria and the thirty segments are the variations. In recognition of the importance which Bach’s Goldberg Variations holds in relationship to the novel.

[…]

Madeleine Thien’s Do Not Say We Have Nothing (2016): Second Variation

This is the second of three posts spiralling around the notes made while reading Do Not Say We Have Nothing. Each with ten parts. Thirty segments. As though my post is the aria and the thirty segments are the variations. In recognition of the importance which Bach’s Goldberg Variations holds in relationship to the novel.

Although […]

Madeleine Thien’s Do Not Say We Have Nothing (2016): First Variation

This will be the first of three posts spiralling around notes made while reading Do Not Say We Have Nothing.

Each with ten parts. Thirty segments. As though my post is the aria and the thirty segments are the variations.

In recognition of the importance which Bach’s Goldberg Variations holds in relationship to the novel.

[…]

Honouring the Truth, Reconciling for the Future (2015)

The Summary of the Final Report of the Truth and Reconciliation Commission of Canada is essential reading.

TRC, 2015

As a component of the Indian Residential Schools Settlement Agreement, the TRC’s “mandate is to inform all Canadians about what happened in Indian Residential Schools (IRS).”

The report is intended “to document the truth of survivors, families, communities […]

All Those Who Are Missing: New 2016 Novels

Many writers suggest that a motivation for telling stories is to set things in order, to make sense of what seems senseless. Little wonder that so many novels are preoccupied with loss and absence, abandonment and grief.

In Melanie Mah’s The Sweetest One, Chris (Chrysler) Wong thinks maybe she’s cursed. Readers don’t understand, at first, […]

Quarterly Stories: Winter 2016

This month, I’m wholly enjoying the stories in the Short Story Advent Calendar (edited by Michael Hingston and designed by Natalie Olsen). The variety of the boxed set is fantastic, especially if you’re looking for “new” short story writers to follow, but I generally read collections of works by a single author.

So many of the […]

December 2016, In My Bookbag

In which I discuss some of the skinny volumes which have kept me company while on the move, while heavier volumes (like Connie Willis’ Crosstalk and Steven King’s 11/22/1963) stayed home.

Warsan Shire’s chapbook is my skinniest book of the year. I finished reading it on a single commute, but rather than read another volume […]