Here, the figurative language of Millar's 1950s novels (like Vanish in an Instant and Wives and Lovers) is replaced by a cleaner style which often focuses on extremes. "But Fielding’s pity, like his love and even his hate, was a variable thing, subject to changes in the weather, melting in
Promise Falls has a history. You might not think so, but it matters. “Are we too insignificant up here: A couple of hours away from New York? Is that what we’re foolish enough to think? Let me tell you something, my friend. You want to strike fear into the hearts
It's not all "Reader, I married him" but plenty of contemporary novels are preoccupied by the idea of storytelling, and often one voice does speak to us directly even now. Periscope Books, 2016 In Tabish Khair's Just Another Jihadi Jane, the storyteller's direct address appears regularly and spiritedly.
In interview with Mark Medley in September, Jonathan Safran Foer discusses his new book, Here I Am, in such a way that it's clear it feels distinct from his other writing for him. Hamish Hamilton - PRH, 2016 Many of the attendees are carrying copies of his earlier
"My books aren’t romances per se; they don’t even necessarily feature happy endings any more, they just conclude with hopeful moments that allow the reader to decide whether widows have the strength to go on or divorced dads find love for a second time." And there is nothing romantic about the
