Although some of the characters in the Margaret Millar mysteries I have read answer their own phones, many answer other people’s phones instead: the telephones of older or more privileged relatives or those of their bosses. There’s even a switchboard operator in the mix, along with a woman better known for not answering calls at […]
I laid in with this story, while on a brief holiday in a small town outside Toronto. Outside, the sound of other people’s everyday morning scurried past, but I was not required to be anywhere in particular that day.
Salzburg Austria, Prison overlooking town [Piotr Bozyk, Click for credit]
This open-ended kind of feeling suited […]
Because so many of Margaret Millar’s novels consider married couples – often at the point in which the relationship is strained, if not fractured – one wonders about her relationship with Ken Millar (better known as Ross MacDonald, who also wrote mysteries).
Did they squabble like Esther and Ron do at the beginning of An […]
There is, about an hour’s drive from Toronto, a small town called Paris, on the Grand River. I’ve visited it a couple of times and I have travelled through it, by train, countless times.
Rarely, on one of those rail journeys, did I miss that broad curve of the tracks, the glorious view of the river […]
Readers familiar with Margaret Millar’s suspense novels, will immediately recognize her style and language in Wives and Lovers. (Just yesterday I discussed Vanish in an Instant, another volume in the Syndicate reprint series.)
“It was a shoebox of a room, with the ceiling pressed down on it like a lid, and Gordon and herself, two mis-mated […]
In the wake of my IFOA reading list and the literary prizelists of the season, my November reading felt relatively whimsical. Without duedates attached to the majority of my reading, it was a pleasure to slip into volumes which had sat untouched in recent weeks.
Each of these three volumes covers, in one way or another, […]
What’s interesting about each of these novels is that none fits a traditional model in the suspense genre. Shari Lapena’s The Couple Next Door is the closest to a conventional thriller. But even her novel spends more time on characterization and atmosphere than many loyal genre readers would tolerate.
Nonetheless, she does rely on tropes to […]
Almost ten years after its original publication, Butterflies in November was translated into English from the Icelandic by Brian FitzGibbon. (This was in 2013, by Pushkin Press, though the edition which appears below was published in 2014 by Grove/Atlantic.)
2003; Translated Brian FitzGibbon, 2013
It gained substantial attention with its listing for the Independent […]
The FOLD (The Festival of Literary Diversity) is an annual event, in Brampton (Ontario, Canada) dedicated to telling more stories, to having audiences connect with a wider variety of storytellers. You can check out their lineup of terrific writers and storytellers who were a part of the debut festival in May this year, here.
Earlier in […]
“My books aren’t romances per se; they don’t even necessarily feature happy endings any more, they just conclude with hopeful moments that allow the reader to decide whether widows have the strength to go on or divorced dads find love for a second time.”
And there is nothing romantic about the idea of serial monogamy. One cannot […]