The other day I wrote about the pair of Heinemann Classics I’ve read this year. Maybe you’ve seen their quintessential orange and black and white covers. They look a little like the vintage Penguins some people collect. But mostly I’ve been reading contemporary African writers. Sometimes, after Bill made
What a delight to be invited to the #1970Club party and to bring Mavis Gallant as my guest. The quintessential short story writer published her novel A Fairly Good Time in 1970. The first chapter is a letter from Shirley Perrigny’s mother, a slippery few pages that spill from
The Ursula K. Le Guin Prize for Fiction lodged in my mind because I really loved its inaugural winner: Kadija Abdalla Bajaber’s The House of Rust when I first read it. Bill and I read it again earlier this year, while anticipating the announcement of this year’s shortlisted books.
Whenever I see someone working on their Classics Spin projects, I wonder whether I would be more dedicated to this kind of reading if I approached it with a plan: of course I would be. But this isn’t much different than knowing it would be better to walk around
A little time has passed since I took this photograph but, already, there are more leaves off the trees and on the ground. It’s been rather warm, but early in September, two nights fell to “frost warning” temperatures, and that’s had an impact. The chipmunks don’t have time to
