Besides Lori McNulty's Life on Mars and Mavis Gallant's stories, I've been dabbling in some other collections this year too. Edwidge Danticat's Krik? Krak! (1996) Drawn from a number of literary magazines and publications (including 1994's Pushcart Prize collection), these tales were gathered together to satisfy the readers who yearned
Walter is just a kid, in comparison to the elderly widows with whom he spends most of his time. And perhaps when he's driving his sporty little Singer, he's not thinking about ending things. But in quiet moments, despair sneaks up on him. Promenade des anglais, Nice, 1960
Agatha Christie said her work was "very original". Julian Symons declared that she "has few peers, and no superior in the art of bamboozlement". Soho Press Compilation, 2016 And Anthony Boucher said that Beast in View was "written with such complete realization of every character that the most
Many of Margaret Millar's characters have had an escape, often in the face of difficulty. Robert has achieved the ultimate escape - he has disappeared - and readers wonder whether that was deliberate or accidental, malicious or ambitious. "The world of Robert’s maps was nice and flat and simple. It
From the outset, The Fiend has a creepy element which readers hadn't yet experienced in the fiction Margaret Millar had published theretofore. "She was about nine. Having watched them all impartially now for two weeks, Charlie had come to like her the best." You're afraid to ask, aren't you: why
