In Susan Hill's Howard's End Is on the Landing, she quotes a friend who says "We read Margaret Drabble to feel the zeitgeist, our daughters read Helen Simpson." (Their daughters' daughters might be reading Janine Alyson Young or Alex Leslie or Rivka Galchen or Eufemia Fantetti.) In the first story
Promise Falls has a history. You might not think so, but it matters. “Are we too insignificant up here: A couple of hours away from New York? Is that what we’re foolish enough to think? Let me tell you something, my friend. You want to strike fear into the hearts
This is the third of three posts spiralling around the notes made while reading Do Not Say We Have Nothing. Each with ten parts. Thirty segments. As though my post is the aria and the thirty segments are the variations. In recognition of the importance which Bach's Goldberg Variations holds
This is the second of three posts spiralling around the notes made while reading Do Not Say We Have Nothing. Each with ten parts. Thirty segments. As though my post is the aria and the thirty segments are the variations. In recognition of the importance which Bach's Goldberg Variations holds in
This will be the first of three posts spiralling around notes made while reading Do Not Say We Have Nothing. Each with ten parts. Thirty segments. As though my post is the aria and the thirty segments are the variations. In recognition of the importance which Bach's Goldberg Variations holds
