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So far Buried In Print has created 2146 blog entries.

Mavis Gallant’s “In a War”

2020-09-29T16:24:03-04:00

In a passage near the end of “Let It Pass”, Steven observes the precarious nature of memory. He openly acknowledges its fallibility: “I have probably altered my recollection of that moment, changed its shape, refined it, as I still sometimes will tinker with shreds of a dream.” So when

Mavis Gallant’s “In a War”2020-09-29T16:24:03-04:00

Here and Elsewhere: Mexico City

2020-10-01T09:12:15-04:00

So far, this has been the city which has added the most titles to my TBR and I borrowed more library books than I could read before I flipped the page to the next month. Even before my reading officially started, I was reading Eduardo Galeano’s Upside Down: A

Here and Elsewhere: Mexico City2020-10-01T09:12:15-04:00

Mavis Gallant’s “Let It Pass”

2020-09-21T11:42:06-04:00

What I know now, that I didn’t know when I started to read my final three Gallant works in Montreal Stories is that “Let It Pass”, “In a War”, and “The Concert Party” are a sequence of stories. When I had a half hour to read on a weekend

Mavis Gallant’s “Let It Pass”2020-09-21T11:42:06-04:00

Mavis Gallant’s “Scarves, Beads, Sandals”

2020-08-26T13:03:21-04:00

No need to debate the significance of the Oxford comma here—there’s no ‘and’ to stir the pot. One could easily mis-identify the story and add the conjunction. But this is not a story about a set of accessories. It is about a series of another sort. A series of

Mavis Gallant’s “Scarves, Beads, Sandals”2020-08-26T13:03:21-04:00
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