Before I began reading Bone and Bread, I read Mother Superior, Saleema Nawaz's debut, a collection of stories. House of Anansi, 2013 About "Bloodlines", I noted: "S keeps Khalsa (pure, according to Sikh law) and B does not, so B grows larger and S grows smaller, above a Montreal bagel
Omens begins with an author's note that promises literary Easter eggs. Before the story even begins. Random House Canada, 2013 So, if readers choose, there are mysteries to be unravelled even before the narrator can make sense of them herself, hidden by the author deliberately. She acknowledges that
What a complicated tale. Though perhaps less so than "Open Secrets" and "The Albanian Virgin", for readers have a much broader sense of understanding what "really happened". The possibility of honest understanding, in this case, settles in the last letter that Annie wrote to Sadie. [NOTE: There are some spoilers
What a delicious juxtaposition: the lushness of the farmers' market this morning - and all the bounty and treat-ness that entails - with a re-read of Oryx and Crake planned for the remainder of the day. Like many other readers, I've been tremendously excited by the prospect of the trilogy's
"The more I write, the more I discover that the partition between real and invented is as thin as a wall in a cheap hotel room." So says Jeanette Winterson, but thinking of Mary Novik's novel Muse, one might think the partition as thin as the pope's bedroom chamber curtain.
