"If we’re lucky, art can help us through our wolfishness."* And it does, indeed, help Virginia get through her wolfishness. As does her sister, Vanessa. And the painting of Bloomsberry. What's this? A children's book about Virginia Woolf? But we all know how THAT story ends. And, yet,
The epigraph to Ru is the reader's first clue that this novel embraces complexity. 2009; Random House Canada, 2012 (English) The reader learns that the word, in French, means a small stream, literally (and, figuratively, a flow -- of tears, blood or memory). Whereas, in Vietnamese, 'ru' means
The turkeys, Steve Gauley, a young girl: drownings. (In my memory of this story, only one of these stood out: wrongly, as it turned out.) Re-reading "Miles City, Montana" reveals the intricate layering of Alice Munro's stories, the multiple threats of drowning and its actual occurrence. One. Then the next.
Annabel Lyon says that she knew, almost immediately upon beginning to write The Golden Mean, that she would be writing the other half of its story. That was "a very male book...all male characters...about warfare and public life and politics and rationality [and] science, all the things that Aristotle represented".*
It's a busy reading season, and being smitten with prizelists adds to its intensity. As does the amazing schedule of events at the International Festival of Authors. Which included a reading, on Monday night, of the Governor General's English Fiction shortlist, which includes Tamas Dobozy's Siege 13, Robert Hough's Dr Brinkley's Tower, Vincent
