Mavis Gallant’s “In a War”

2020-09-29T16:24:03-04:00

In a passage near the end of “Let It Pass”, Steven observes the precarious nature of memory. He openly acknowledges its fallibility: “I have probably altered my recollection of that moment, changed its shape, refined it, as I still sometimes will tinker with shreds of a dream.” So when

Mavis Gallant’s “In a War”2020-09-29T16:24:03-04:00

Mavis Gallant’s “Let It Pass”

2020-09-21T11:42:06-04:00

What I know now, that I didn’t know when I started to read my final three Gallant works in Montreal Stories is that “Let It Pass”, “In a War”, and “The Concert Party” are a sequence of stories. When I had a half hour to read on a weekend

Mavis Gallant’s “Let It Pass”2020-09-21T11:42:06-04:00

Mavis Gallant’s “Scarves, Beads, Sandals”

2020-08-26T13:03:21-04:00

No need to debate the significance of the Oxford comma here—there’s no ‘and’ to stir the pot. One could easily mis-identify the story and add the conjunction. But this is not a story about a set of accessories. It is about a series of another sort. A series of

Mavis Gallant’s “Scarves, Beads, Sandals”2020-08-26T13:03:21-04:00

Sealed: Rereading Carol Shields (A Celibate Season)

2020-10-01T16:37:50-04:00

Many of the letters in A Memoir of Friendship are about writing and reading, books and manuscripts; Blanche Howard and Carol Shields swapped book recommendations and writing frustrations and philosophies alongside the everyday stuff and nonsense of life. In 1993, Blanche wrote to Carol Shields, two years after their

Sealed: Rereading Carol Shields (A Celibate Season)2020-10-01T16:37:50-04:00
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