Christene A. Browne’s Two Women (2013)

2014-06-26T14:48:19-04:00

The cover of Christene A. Browne's Two Women pulled me back to a literary pilgrimage I made to Regent Park, in Toronto, after I read Rabindranath Maharaj's The Amazing Absorbing Boy. But Regent Park is not so much a character in this novel as the women themselves. Though, which two

Christene A. Browne’s Two Women (2013)2014-06-26T14:48:19-04:00

Notes on Reading Julie Macfie Sobol & Ken Sobol’s Love and Forgetting

2014-06-26T14:47:23-04:00

While Love and Forgetting was in my stack of current reads, I listened to the World Book Club's podcast edition of a discussion of Albert Camus' The Outsider. Camus is someone whose work I associate with formal study, not pleasure, but Harriet Gilbert's interviews draw me into subjects I don't

Notes on Reading Julie Macfie Sobol & Ken Sobol’s Love and Forgetting2014-06-26T14:47:23-04:00

Mary Lawson’s Road Ends (2013)

2014-06-26T14:46:10-04:00

You might think Struan is an unlikely setting for a novel. A town you can walk through in under ten minutes (even on slippery wintry surfaces). Knopf Canada, 2013 "Walking from one end of Struan to the other takes less than ten minutes. If you kept walking south

Mary Lawson’s Road Ends (2013)2014-06-26T14:46:10-04:00

“Jakarta” Alice Munro

2014-07-11T17:02:58-04:00

"Give her a room of her own and five hundred a year, let her speak her mind and leave out half that she now puts in, and she will write a better book one of these days." So said Virginia Woolf. McClelland & Stewart, 1998 And although Kath

“Jakarta” Alice Munro2014-07-11T17:02:58-04:00

Kathryn Kuitenbrouwer’s All the Broken Things (2014)

2014-06-26T14:37:01-04:00

If she were to tell the story again, it would be a little different. You might wonder how, because Bo's story seems all-of-a-piece, powerful just as it is, at once archetypal and unique. Random House Canada, 2014 "No one knows. But one thing is true. Whenever someone retells

Kathryn Kuitenbrouwer’s All the Broken Things (2014)2014-06-26T14:37:01-04:00
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