Mavis Gallant’s “On With the New in France” (1981)

2018-03-02T14:06:00-05:00

As short as “Mousse” and as sharply assembled, “On with the New in France (1981)” presents an itemized list of grievances from a frustrated citizen. In just under a thousand words, the story opens with a nod towards “La Vie Parisienne”, with a complaint rooted in the resident’s lodgings.

Mavis Gallant’s “On With the New in France” (1981)2018-03-02T14:06:00-05:00

With “The Year of the Dog” in Mind: Dog Stories

2024-08-28T17:56:08-04:00

Although I loved books about animals when I was a younger reader, in my teens I backed off. I realised that books in which sad things happen to the four-legged and furred or feathered characters were even sadder than the books in which sad things happened to human characters.

With “The Year of the Dog” in Mind: Dog Stories2024-08-28T17:56:08-04:00

Mavis Gallant’s “Travellers Must Be Content” (1959)

2018-02-20T13:54:54-05:00

Wishart has summer plans. They remind me of Walter’s widow-soaked season in “An Unmarried Man’s Summer”. Here, however, Bonnie is a divorcee. “Like many spiteful, snobbish, fussy men, or a certain type of murderer, Wishart chose his friends among middle-aged solitary women.” It’s not just for effect, this comment:

Mavis Gallant’s “Travellers Must Be Content” (1959)2018-02-20T13:54:54-05:00

Iris Murdoch’s Under the Net (1954) and The Sandcastle (1957)

2018-01-29T17:02:50-05:00

The winter months are good reading months for me, especially when snug indoors with a view of the snowy cityscape. I've been reading more than I've been reviewing here, so here's a peek into the recent stacks. Iris Murdoch’s Under the Net (1954) and The Sandcastle (1957) were read with

Iris Murdoch’s Under the Net (1954) and The Sandcastle (1957)2018-01-29T17:02:50-05:00

Mavis Gallant’s “Mousse” (1980)

2018-02-08T19:32:22-05:00

Mavis Gallant knew “fake news” when she saw it. “The picture is an obvious and mischievous fake, and it was with great reluctance that four reputable newspapers decided to run it.” In fewer than a thousand words, “Mousse” considers the status of a once-significant political leader whose position has

Mavis Gallant’s “Mousse” (1980)2018-02-08T19:32:22-05:00
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