Rawi Hage’s Cockroach (2008)

2014-03-20T15:54:10-04:00

Some readers will be unsettled by the title alone. (I had early exposure as a young reader to Don Marquis' archy and mehitabel, so it didn't work that way for me.) Most readers will be unsettled by the story. (As activist and artist Banksy has said: “Art should comfort

Rawi Hage’s Cockroach (2008)2014-03-20T15:54:10-04:00

Peter Hobbs’ In the Orchard the Swallows (2012)

2014-03-20T15:50:09-04:00

Project Notes: Approaching the halfway point (Day 21 of 45), I still have books half-read and pieces unpolished. But fortunately my enthusiasm for this project has spread and another Anansi reader has offered her thoughts on a few of her favourite books in their catalogue. Sandra has been commenting here for

Peter Hobbs’ In the Orchard the Swallows (2012)2014-03-20T15:50:09-04:00

“Circle of Prayer” Alice Munro

2014-03-20T15:48:43-04:00

I sat with this story for a good while. I re-read it. More than once. Let it sink in as familiar. I leafed through it on other occasions, when I was between tasks at my desk. I randomly picked out passages and murmured them aloud. I sat and stared out

“Circle of Prayer” Alice Munro2014-03-20T15:48:43-04:00

Lisa Moore’s Alligator (2004)

2014-07-11T16:54:32-04:00

When readers look into the eye of Lisa Moore's fiction, they are changed. House of Anansi, 2004 "I knelt down near the fence and looked into the eye of a giant alligator that was very near the fence. The alligator did not move and did not move. I

Lisa Moore’s Alligator (2004)2014-07-11T16:54:32-04:00

A Man and His Moose: Erlend Loe’s Doppler (2012)

2014-03-20T15:43:25-04:00

First, it's small enough to fit in a pocket. The book, not the moose. And there's something charming about that, right? And something seductive about the idea that you can easily sit down with a book and meet its characters and stay with them, in a single sitting,

A Man and His Moose: Erlend Loe’s Doppler (2012)2014-03-20T15:43:25-04:00
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