Margaret Atwood’s Old Babes in the Wood, “Freeforall” #MARM2025

2025-11-10T12:16:56-05:00

“Surfacing changed a lot. Bodily Harm was a pretty fast write. Handmaid’s Tale was a fast write. Lady Oracle took me a long time because there are so many people and it’s complex. I think Surfacing changed the most from beginning to end.” “Freeforall” leaves me craving an in-a-nutshell

Margaret Atwood’s Old Babes in the Wood, “Freeforall” #MARM20252025-11-10T12:16:56-05:00

Non-Fiction November 2025: Pairing Fiction and Non-Fiction

2025-11-10T11:56:41-05:00

Through the summer, I read the 1966 classic novel Jubilee by Mississippi writer Margaret Walker (1915-1998). I chose it because I love the idea of having one novel in my stacks that stretches out for the whole summer. Inspired by the life of her great-grandmother, Walker takes readers across

Non-Fiction November 2025: Pairing Fiction and Non-Fiction2025-11-10T11:56:41-05:00

Week Two #MARM2025: Update and Check-In

2025-11-07T19:25:36-05:00

It’s been a MARMvellous week indeed, with several in our cosy group already posting about their reading: Bill has reached farthest back into MA’s chronology with Lady Oracle; Rebecca has read The Penelopiad; Kaggsy both Dearly and “Cut & Thirst”; and Bron joined in with “Death by Clamshell”. Beyond

Week Two #MARM2025: Update and Check-In2025-11-07T19:25:36-05:00

Novellas in November: Two Centuries, Two Brazilian Stories #NovNov2025

2025-11-07T09:50:11-05:00

In which I read two books with #NovNov in mind, hosted by Rebecca and Cathy: one novella that feels like an expanded short story, and the other that swells with links of main character and themes across three segments. First published in Rio de Janeiro’s newspaper from 1881-1882 and

Novellas in November: Two Centuries, Two Brazilian Stories #NovNov20252025-11-07T09:50:11-05:00
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