The Writing Life: Flannery O’Connor (3 of 4)

2020-04-13T16:37:21-04:00

O’Connor’s religiosity is inescapable. When she was studying at Iowa, she attended morning mass daily. In her prayer journal, she clearly requests spiritual intervention to guide her craft. While I do not gravitate towards the meditative passages and debates in her letters about her Catholicism – and often skim

The Writing Life: Flannery O’Connor (3 of 4)2020-04-13T16:37:21-04:00

Mavis Gallant’s “From Cloud to Cloud” (1985)

2020-04-21T10:00:32-04:00

Having published one hundred and sixteen stories in The New Yorker, Mavis Gallant’s regular readers would have had to wait from April 15 until July 8 in 1985, to learn how life has been for the Carette sisters. The story opens like this: “The family’s experience of Raymond was

Mavis Gallant’s “From Cloud to Cloud” (1985)2020-04-21T10:00:32-04:00

Samar Yazbek’s A Woman in the Crossfire: Diaries of the Syrian Revolution (2012) #ReadtheChange

2020-04-13T16:24:43-04:00

Some days I picked up Samar Yazbek’s A Woman in the Crossfire, to read only two pages, and set it aside. Other days I picked it up and forced myself to read a certain number of sections (being that it’s a diary). Afterwards, whether a couple of pages or

Samar Yazbek’s A Woman in the Crossfire: Diaries of the Syrian Revolution (2012) #ReadtheChange2020-04-13T16:24:43-04:00

Mavis Gallant’s “The Chosen Husband” (1985)

2020-04-20T18:10:25-04:00

In the previous story, Berthe and Marie were six and four years old, but now they are twenty-two and twenty, when the Carette family is moving house once again. Having moved around the same neighbourhood every few seasons, they and their mother are signing a two-year lease for the

Mavis Gallant’s “The Chosen Husband” (1985)2020-04-20T18:10:25-04:00

Mavis Gallant’s “1933”

2020-04-10T14:39:19-04:00

Born in Montreal in 1922, Mavis Gallant grew up in both Québec and the northeastern United States. After she finished high school in New York City, she returned to Montréal where she worked at the National Film Board, until she became a reporter for the Montreal Standard at the

Mavis Gallant’s “1933”2020-04-10T14:39:19-04:00
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