The title of Pasha Malla’s 2015 article in The New Yorker’s Page-Turner says it all: “Too Different and Too Familiar: The Challenge of French-Canadian Literature.” Because it is a challenge to locate French-Canadian literature within the landscape of Canadian Literature, even for those of us who devote a significant
I reread Harriet the Spy and The Long Secret (which I didn’t properly appreciate as a young reader) in April, to write a pair of essays for the Literary Ladies site, hosted by Nava Atlas, author of (among other books) The Literary Ladies’ Guide to the Literary Life (2011).
A single-sitting read, a summer road-trip, and Sesame Street: good reading. Margriet De Moor’s Sleepless Night (1989; Trans. David Doherty 2019) “Sleepless night succeeded sleepless night – agonized day followed agonized day.” This, from L.M. Montgomery’s 1918 journal, came to mind when I was reading Margriet De Moor’s Sleepless Night
Because I’m still buried in print when I’m on the move, here’s talk of the books I’ve been reading en route, while heavier volumes (like Charles Palliser’s The Quincunx and Ralph Ellison’s Invisible Man) stayed at home. I read nearly half of this book at the top of the steps
In this story, Linnet is “seamless”, she is “as smooth as brass”. And she has returned to her godmother’s house, as a journalist, sent to conduct an interview. She has written down her assignment, like any other, without commenting that the woman is her godmother. unsplash-logoMatt Artz She is hesitant,
