Wyoming Stories

2020-09-30T14:33:19-05:00

Annie Proulx’s Bird Cloud (2011) immediately invites readers into Wyoming: “The blue-white road twists like an overturned snake showing its belly.” She describes the dust and the sage-brush and how it’s impossible not to think of “old ash-spewing volcanoes” as you move through Wyoming with its powdery soil. “The

Wyoming Stories2020-09-30T14:33:19-05:00

Quarterly Stories: Autumn 2020

2020-10-07T14:43:38-05:00

Gallant, Gould, Jolley, Kenan, Proulx, and Walker Short Stories in July, August, and September Whether in a dedicated collection or a magazine, these stories capture a variety of reading moods. This quarter, I returned to four favourite writers and also explored two new-to-me story writers.

Quarterly Stories: Autumn 20202020-10-07T14:43:38-05:00

David Bergen’s Here the Dark (2020)

2020-10-06T11:55:50-05:00

My experience reading David Bergen runs the gamut. When I first read The Time in Between, I felt disengaged from the story. Years later, stuck in a waiting room with The Matter with Morris (2010), I recognized layers to his storytelling which I’d missed before. With The Age of

David Bergen’s Here the Dark (2020)2020-10-06T11:55:50-05:00

Mavis Gallant’s “The Concert Party”

2020-09-29T16:36:28-05:00

For readers who have met Steven first in “Let it Pass” and then, much younger, in “In a War”, it would have been doubly significant to come across this passage, in a story about the Steven-between-youth-and-age: “In plain terms, this is not a recollection but the memory of

Mavis Gallant’s “The Concert Party”2020-09-29T16:36:28-05:00

Mavis Gallant’s “In a War”

2020-09-29T16:24:03-05:00

In a passage near the end of “Let It Pass”, Steven observes the precarious nature of memory. He openly acknowledges its fallibility: “I have probably altered my recollection of that moment, changed its shape, refined it, as I still sometimes will tinker with shreds of a dream.” So when

Mavis Gallant’s “In a War”2020-09-29T16:24:03-05:00
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