Mavis Gallant’s “The Chosen Husband” (1985)

2020-04-20T18:10:25-04:00

In the previous story, Berthe and Marie were six and four years old, but now they are twenty-two and twenty, when the Carette family is moving house once again. Having moved around the same neighbourhood every few seasons, they and their mother are signing a two-year lease for the

Mavis Gallant’s “The Chosen Husband” (1985)2020-04-20T18:10:25-04:00

Quarterly Stories: Spring 2020

2024-02-28T17:32:27-05:00

Aleichem, Gallant, Gardam, Keret, and Mutonji Short Stories in January, February and March Whether in a borrowed collection or from my own shelves, these stories capture a variety of reading moods. This quarter, I returned to two favourite writers and also explored three new-to-me story writers.

Quarterly Stories: Spring 20202024-02-28T17:32:27-05:00

Mavis Gallant’s “Good Deed” (1969)

2020-02-05T16:05:30-05:00

As a sharp observer and as a chronicler of wartime and revolutionary foment, there are a lot of good and serious reasons to read Mavis Gallant: she is also wickedly funny. The humour in this story’s title is only accessible to readers after we have finished reading. But nevermind,

Mavis Gallant’s “Good Deed” (1969)2020-02-05T16:05:30-05:00

Mavis Gallant’s “The Captive Niece” (1968)

2020-02-05T15:24:29-05:00

As this collection nears its end (the next story is its last), I find myself thinking more about the concept of being “in transit”. About how we often meet the characters in this story when they are at their most rooted. But how the title of the collection allows

Mavis Gallant’s “The Captive Niece” (1968)2020-02-05T15:24:29-05:00

Mavis Gallant’s “April Fish” (1968)

2020-01-29T10:49:53-05:00

In the previous story, we have Harold’s mother reminiscing about her earlier trips to the mountains, when it was just her and her husband, Harold’s father. She observes that it was one thing to think of skiing down the slopes into town when she was a young woman; now

Mavis Gallant’s “April Fish” (1968)2020-01-29T10:49:53-05:00
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