The novelist who barely disguises the characters he has pulled from reality: here, again, it seems as though we catch a glimpse of another Poche. Now I wonder if Grippes wasn’t forced to camouflage him, after the moment in which Poche queried Grippes about when “What’s-His-Name struggles to prepare
The previous story ends with an imprisonment: “He had got the woman from church to dining room, and he would keep her there trapped, cornered, threatened, watched, until she yielded to Grippes and told her name – as, in his several incarnations, good Poche had always done.” I’m thinking
This story is about Henri Grippes (familiar for readers of this collection, from “A Painful Affair” and “A Flying Start”) and O. Poche, who works in the taxation office. But it’s also about novelist Henri Grippes and his imaginings of O. Poche, who will appear in countless fictions. This
“All raise hands, please, who remember Rosalia. (Camera on studio smiles.)” You remember Rosalia, right? We met her in “A Painful Affair”, this collection’s fourth story: the dedicated servant of Miss Mary Margaret Pugh. Miss Pugh’s artistic patronage is not-yet-transpired in “Larry” (Larry is her half-brother), it’s an already-transpired-fact
“I saw Maggie about a year ago. She says she’s leaving everything to an arts foundation,” says Maggie’s half-brother, Larry. He’s talking to his father. Who was married, at one time, to Maggie’s mother. Larry’s father remains nameless, the Elder Pugh. Just as he “has no real age”
