Sometimes the body count in my reading is high. Of late, the un-body count has been rising. I noticed the presence in W. G. Sebald, when I began reading Austerlitz (2001; Translated from the German, 2011) earlier this year. In the photographs which accompany his narrative, there are no
In which I discuss the skinny volumes which accompany me on my travels, while the heavier volumes (like Stephen King's It and an omnibus of Shirley Jackson's short works) remain at home. On a late August afternoon, I'm taking the Queen Street streetcar, in the stretch between Beach and Parliament,
In which I discuss the skinny volumes which accompany me on my travels, while the heavier volumes (like John Irving's A Prayer for Owen Meany and Callum Roberts' The Ocean of Life) remain at home. Juliane Okot Bitek was inspired to engage with the Rwanda Genocide in response to Kenyan-American artist
The Canadian Opera Company is now presenting a new 50th-anniversary production of "Louis Riel", originally written for the celebration of the Canadian centenary in 1967, with an attempt to shift that oh-so-colonial gaze, now including indigenous artists and languages with more nuanced representations of the historical figures. These are powerfully important
My reading year began with Marina Endicott's New Year's Eve (2011), written with literacy front-of-mind; its vocabulary, structure and tone are meant to ease the passage for readers with varying degrees of ease reading in English. It begins simply: "The snow started before we left home." Despite its brevity ,
