As readers will guess from the title, Diane Cook's collection of stories has an archetypal reach. HarperCollins, 2014 These are stories that one can imagine discussing at length in creative writing classes, stories that could nestle into the curricula of English courses which study contemporary American fiction. But there
These stories were chosen “to be read rather than merely admired, or even envied”, including five previously unpublished stories. Thirty years later, the list of contents conjures up echoes of the Giller Prize, Canada Reads, and even a Pulitzer. Frances Itani’s “Grandmother” “And she has long known what the rest of
Coming Home: Stories from the Northwest Territories (Enfield & Wizenty, 2012) In the foreword, Richard Van Camp writes that this collection is a "testament to the beauty of the land, the communities and the people who choose to live here" and he welcomes readers to the works. The same words might
Runaway readers cannot run away from the book after turning the final page. Instead, they have to burrow in. Much like "Vandals" in 1994's Open Secrets and the title story in 2012's Dear Life, "Powers" is one of those closing stories that sends readers rushing back to the beginning.
McClelland & Stewart, 2004 This story has long been my favourite in this collection, although I could not recall which of them it was, when I first approached my reread of Runaway. When Stratford appeared in the first story, I thought maybe my favourite was coming. But, no,
