February 2019, In My Bookbag

2020-09-30T08:37:09-04:00

In which I read, while sitting in a café, in a library and in various TTC stations. While longer volumes, like Charles Palliser’s The Quincunx and Andrew Miller’s Now We Shall Be Entirely Free, stay at home. Charles Quimper’s In Every Wave (2017; Trans. Guil Lefebvre, 2018) Narrated by

February 2019, In My Bookbag2020-09-30T08:37:09-04:00

Mavis Gallant’s “Thank You for the Lovely Tea” (1956)

2019-02-04T18:27:47-05:00

Ruth is equal parts infuriating and hurting. Like Karin, in Alice Munro’s “Rich as Stink”, these girls are angered and confused by the connections they observe between the adults in their lives. In “Thank You for the Lovely Tea”, readers meet Ruth when she is desperate to be out of

Mavis Gallant’s “Thank You for the Lovely Tea” (1956)2019-02-04T18:27:47-05:00

Mavis Gallant’s “Irina” (1974)

2020-06-02T12:00:51-04:00

We mean it kindly, when we say that a short story contains a novel. For many of us are novel-lovers, first or only, and, so, this seems a high compliment. What we are observing is how quickly an author can beckon us into the heart of a character, how

Mavis Gallant’s “Irina” (1974)2020-06-02T12:00:51-04:00

Mazo de la Roche’s Centenary at Jalna (1958)

2024-07-19T12:04:46-04:00

There have been many Christmases in Mazo de la Roche’s novels, too: not quite a hundred, but several. “Ninety-nine Christmases had been celebrated at Jalna. In its first Christmas Philip and Adeline Whiteoak had been young people and their three children infants. Now all those five were in their

Mazo de la Roche’s Centenary at Jalna (1958)2024-07-19T12:04:46-04:00

Quarterly Stories: Winter 2018

2019-03-20T14:18:02-04:00

Faust, Gallant, Hawley, Madsen and Ross Short Stories in October, November and December "It was a long time - a long time watching him the way you watch a finger tightening slowly in the trigger of a gun – and then suddenly wrenching himself to action

Quarterly Stories: Winter 20182019-03-20T14:18:02-04:00
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