Crimes of the past lurk beneath the stories in Ian Weir's Will Starling and Linden MacIntyre's Punishment and the main characters lurch towards and stumble into confrontations and altercations with life-long repercussions. Goose Lane Editions, 2014 These are both dark tales, but Ian Weir's novel is literally and figuratively so: "And
It's a familar theme in the Canadian landscape of letters, and it was also the topic of Adrienne Clarkson's recent Massey Lecture. "What does it mean to belong? And how do we belong? Who do we belong to?" These are the central ideas discussed in the series and they are
Neverhome is set in the years of the American Civil War and narrated by a fledgling letter-writer. She has survived the conflict and adopted this strange chore of authoring. Little, Brown and Company, 2014 "When I’d eaten up my given share of a day I’d take up my pen
Neither small-scale farmers nor low-income communities have been invited to the table to make food policy on a global scale. The Stop illuminates this reality in matter-of-fact and unsentimental language, presenting facts both from a bird’s-eye-view and a grassroots perspective. Readers are acquainted with some alarming information on an international
In discussing the different kinds of love which the Vietnamese language distinguishes between, Kim Thúy's Ru lists thích, which means "to love by taste". Random House Canada, 2014 (One may also love without being in love (thuong), love passionately (yêu), love ecstatically (mê), love blindly (mù quáng), or love gratefully (tình nghīa)
