Alongside the most recent Mavis Gallant collection, I've been reading a variety of short stories, including a collection of African writers, Opening Spaces, edited by Yvonne Vera. The collection dates to 1999 and includes both well-known and emerging writers: The Girl Who Can - Ama Ata Aidoo (Ghana) Deciduous Gazettes
I wasn't expecting to love Zoey Leigh Peterson's Next Year for Sure so much. Aryn Kyle's blurb caught my eye (because I've loved some of her short stories), but the pastel colours made me squint a little. I didn't think I was going to fit into a story with
"No one wants to hear what’s going on in some jailbird’s heart now do they?" It comes near the end of the novel, but I suspect that Joel Thomas Hynes took this idea as a challenge, that that's what inspired his Giller-Prize nominated novel We'll All Be Burnt in
A Chevy truck, a Thermos of coffee, date squares and bologna sandwiches: I Am a Truck begins with the basics. A fishing trip which, both Agathe and Réjean know, is not a fishing trip. Both are aware that he is lying, but it's a charade which Agathe is content
If you've glanced at the union regulations for Native writers, you'd have seen this one coming: Eden Robinson explains that it's a requirement. "It’s also a union regulation as a Native writer that you have to write a Trickster story at least once." (This is from an interview by
