First published in 1996, Marilyn Dumont's debut - A Really Good Brown Girl - was reprinted thirteen times and later republished as part of Brick Books' classic series in 2013. In Lee Maracle's introduction, she talks about keeping a worn copy next to her bed, taking good care of it. Like
"Perhaps the most brave and honest review of After James should restrict itself to two words: Read it." Could be that Angie Abdou got it right, when she reviewed Michael Helm's After James and concluded with this. McClelland & Stewart, 2016 But she did a fine job of
Promise Falls has a history. You might not think so, but it matters. “Are we too insignificant up here: A couple of hours away from New York? Is that what we’re foolish enough to think? Let me tell you something, my friend. You want to strike fear into the hearts
This is the third of three posts spiralling around the notes made while reading Do Not Say We Have Nothing. Each with ten parts. Thirty segments. As though my post is the aria and the thirty segments are the variations. In recognition of the importance which Bach's Goldberg Variations holds
This is the second of three posts spiralling around the notes made while reading Do Not Say We Have Nothing. Each with ten parts. Thirty segments. As though my post is the aria and the thirty segments are the variations. In recognition of the importance which Bach's Goldberg Variations holds in
