Alfrida's apartment is crowded. “'I know I’ve got far too much stuff in here,' she said. 'But it’s my parents’ stuff. It’s family furnishings, and I couldn’t let them go.' The story about her parents, the loss of her mother, the other family with whom she visits only half-heartedly after
Jinny has been standing on shifting ground. Expectations are thwarted: these are times of transformation. This was true, too, in "Gravel" and in "Oh What Avails". But there she is: the space in which she is standing shifts both literally and metaphorically. Things have been all-a-shift for some time now.
In playing the game, a girl writes the name of a boy beside her own name, crosses out the letters in common and counts off the various states of being: "Hateship, Friendship, Courtship, Loveship, Marriage". This is what matters: her relationship with a man. And, reading it that way, it seems
With lead type and a hand press: that's how Gaspereau Press originally produced this collection of poems, in the old-fashioned way. Even the trade edition is the sort of book which makes you want to run your fingers across the page, not simply hold it by the edges, and, yet, simultaneously,
When Scarlett, the sequel to Gone with the Wind that the Margaret Mitchell Estate authorized, was published in 1991, the world of books was abuzz. Nobody had heard of Alexandra Ripley, but everybody wanted to know what happened to Scarlett. Somehow I missed news of the publication of Alice Randall's
