September 2014: In My Reading Log

2020-10-20T09:56:41-04:00

Among other books enjoyed in September were some standout novels that will be featured later this month, including Michael Crummey's Sweetland and Magie Dominic's Street Angel. There was also Diversiverse and the launch of RIP IX, and much musing on future Read-a-Thon choices. Award longlists began appearing (including the Toronto Book

September 2014: In My Reading Log2020-10-20T09:56:41-04:00

Alice Simpson’s Ballroom (2014)

2014-10-27T16:51:21-04:00

The reader moves onto the floor with great excitement, turning the initial pages of a debut novel, heartbeat slightly accelerated, hopes and expectations heightened. It is a dance: this movement between reader and story. Alice Simpson's Ballroom takes that connection seriously. HarperCollins, 2014 The very structure of the

Alice Simpson’s Ballroom (2014)2014-10-27T16:51:21-04:00

Broken: Careers, Contracts, Society

2014-09-29T08:11:50-04:00

Each of these novels considers a shattered state of being, whether the devastation plays out through the cycle of addiction or societal breakdown or international conflicts. The characters employ a variety of coping mechanisms and the authors' styles are diverse; Elizabeth Renzetti's Based on a True Story, Edan Lepucki's California and Audrey

Broken: Careers, Contracts, Society2014-09-29T08:11:50-04:00

Nadia Bozak’s Borders

2019-10-22T12:23:48-04:00

Excerpt from reading journal: Nadia Bozak is the reason that I have copies of the three books in Cormac McCarthy’s Border Trilogy on my shelves. Books that I never planned to read, but I came across the idea that the works were somehow connected with her novels Orphan Love and

Nadia Bozak’s Borders2019-10-22T12:23:48-04:00

Heather O’Neill’s The Girl Who Was Saturday Night (2014)

2014-10-07T15:10:37-04:00

When a passage on page two is just breathtakingly powerful, readers’ expectations soar. It seems impossible to imagine reading beyond this passage without stopping to reread, or not reading it aloud to a friend sitting alongside, or not tapping the stranger sitting next to you, pointing and saying “Check this out”.

Heather O’Neill’s The Girl Who Was Saturday Night (2014)2014-10-07T15:10:37-04:00
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