Many of the books in my February reading stack also fit with the celebration of independent publishers #ReadIndies hosted by Kaggsy and Lizzy this month: Archipelago Books, QC Fiction, Nimbus Books, Tin House, Duke University Press, and Allery Editions (links below). Later this month, I’ll chat more about independent publications
Here's a glimpse of some current reads which lend themselves more to sampling, in a handful of reading sessions, than gobbling in longer periods of time. Although I no longer need to ponder the ratio of heavy to light volumes in my stack of current reads (because the COVID
While I put the finishing touches on the pie-charts and calculations from 2020’s reading log, there are just a couple other books to talk about that I read (mostly) over the holiday break. Ruth Gilligan’s The Butchers’ Blessing (2020) is praised by two writers who snag my attention: Colum
A few weeks ago, I mentioned how much Naomi’s Atlantic Canada reading has impacted the books in my stacks. (Check out her project here, along with pages dedicated to the Halifax Explosion and regional literary awards on Consumed by Ink.) When I reach for another book set in Toronto
In which there is talk of the slim stories which have travelled with me within the city. While bulkier volumes stayed home. Like Robertson Davies' Murther and Walking Spirits (1991). And Nazanine Hozar's Aria (2019). These are awkward travelling companions: thick and heavy But some of the skinnies in
