You might recall that I filled my first #ShelfofMexico shortly after the current American administration renamed The Gulf of Mexico. There were some fabulous suggestions and all year, so far, I’ve been reading. (Shelf One is the first photo; I've already read all but one.) I knew that I
In a loose way, these six books—suspense, horror, mystery—are arranged in the order I would read them through the course of a single day; the first two require full-on daylight, and the last I would read even after dusk (but it’s still a gripping story, though largely character-driven). For
Of the summer books I mentioned earlier, seven I’ve read, one was recalled to the library for another reader, and three are underway (the Rabagliati graphic novel, Seven Twilights and Jubilee). I also picked a children’s book to reread (a nostalgic favourite—Jean Little’s Stand in the Wind) and a
Douglas Bruton’s Blue Postcards (2021) came to me via ILL (thanks to the Forest Hill branch of the Toronto Public Library) because Susan, Mme Bibi, Kaggsy and Simon all loved it; so I was expecting to enjoy it, but I was not expecting to find summer in it.
Today, talk of six books by Indigenous writers, including a novel, an illustrated children’s book, two books of poetry, and two books of non-fiction. These are works by Binnizá & Maya Ch'orti', Cree-Métis, Kanien’kehá:ka Ahkwesáhsne /Mohawk St. Regis, Kanien’kehá:ka, Wakeniáhton (Turtle Clan), and Mandan, Hidatsa & Arikara/Tsimshian writers.
