If you've glanced at the union regulations for Native writers, you'd have seen this one coming: Eden Robinson explains that it's a requirement. "It’s also a union regulation as a Native writer that you have to write a Trickster story at least once." (This is from an interview by
How much of your reading is non-fiction? Does it fluctuate, or are you committed to reading (or not reading) it? When others were participating in non-fiction November last year, and actually reading a lot of the books that I'd been kinda-half-sorta thinking about reading, I realised that tending towards fiction
The weight of the brooch pulls the fabric of young Margaret Marshall's picnic frock. It always hangs just fine off her navy blue shorts, but the light-weight dress doesn't provide a suitable backdrop. How disappointing for young Margaret, who so treasures this gift from Madame Pégorin, the photo of the woman's beloved
Although some of the characters in the Margaret Millar mysteries I have read answer their own phones, many answer other people's phones instead: the telephones of older or more privileged relatives or those of their bosses. There's even a switchboard operator in the mix, along with a woman better known
In interview with Mark Medley in September, Jonathan Safran Foer discusses his new book, Here I Am, in such a way that it's clear it feels distinct from his other writing for him. Hamish Hamilton - PRH, 2016 Many of the attendees are carrying copies of his earlier
