Yesterday, I chatted about one of my favourites from this year’s Giller Prize longlist. Tomorrow, I’ll be chatting about the most talked-about from this year’s longlist, Margaret Atwood’s The Testaments, as part of #MARM Margaret Atwood Reading Month. So, today, the other books on the longlist, the ones I
“All raise hands, please, who remember Rosalia. (Camera on studio smiles.)” You remember Rosalia, right? We met her in “A Painful Affair”, this collection’s fourth story: the dedicated servant of Miss Mary Margaret Pugh. Miss Pugh’s artistic patronage is not-yet-transpired in “Larry” (Larry is her half-brother), it’s an already-transpired-fact
“I saw Maggie about a year ago. She says she’s leaving everything to an arts foundation,” says Maggie’s half-brother, Larry. He’s talking to his father. Who was married, at one time, to Maggie’s mother. Larry’s father remains nameless, the Elder Pugh. Just as he “has no real age”
As soon as I met Henri Grippes, I felt like I knew him. He reminded me of Charles Filandreux in “Siegfried’s Memoirs” (in Coming Ashore). Filandreux is a writer, all tied up in knots at the idea of writing a review he “would undoubtedly be requested to write”. Except
This is the third of three posts spiralling around the notes made while reading Do Not Say We Have Nothing. Each with ten parts. Thirty segments. As though my post is the aria and the thirty segments are the variations. In recognition of the importance which Bach's Goldberg Variations holds
