Margaret Atwood’s Old Babes in the Wood, “My Evil Mother” #MARM2024

2024-11-14T12:46:14-05:00

I don’t like the word ‘evil’: does anyone? Well, some. If only for effect. The showrunners for this show, for instance. [I’ve not watched it. But maybe I should: I had fun with the early seasons of Supernatural and, then, lost interest when the angels arrived. And I have

Margaret Atwood’s Old Babes in the Wood, “My Evil Mother” #MARM20242024-11-14T12:46:14-05:00

Leaves and Trees, Girls and Women

2024-10-15T10:26:31-04:00

The other day I wrote about the pair of Heinemann Classics I’ve read this year. Maybe you’ve seen their quintessential orange and black and white covers. They look a little like the vintage Penguins some people collect. But mostly I’ve been reading contemporary African writers. Sometimes, after Bill made

Leaves and Trees, Girls and Women2024-10-15T10:26:31-04:00

The Ursula K. Le Guin Prize for Fiction 2024

2024-10-15T10:44:25-04:00

The Ursula K. Le Guin Prize for Fiction lodged in my mind because I really loved its inaugural winner: Kadija Abdalla Bajaber’s The House of Rust when I first read it. Bill and I read it again earlier this year, while anticipating the announcement of this year’s shortlisted books.

The Ursula K. Le Guin Prize for Fiction 20242024-10-15T10:44:25-04:00

Quarterly Stories, Belated: Winter 2023

2024-01-15T19:51:00-05:00

Atwood, Chiew, Clair, Herrera, Omar and Reva Short Stories in October, November and December 2023 Whether recommended by a prizelist or a friend or an author, these stories capture a variety of reading moods. This quarter, I returned to two favourite writers and also explored four

Quarterly Stories, Belated: Winter 20232024-01-15T19:51:00-05:00
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