Lisa Moore has pulled from the headlines to create fiction before, and this is not the first time she has pulled readers into painful territory by the heart. Grove Press, 2014 "I learned to graft bits and pieces of true-life experiences together to form fiction. I learned not
"Daisy was barely three and could not understand what was going on." Because there is something going on. Something that Daisy, at three years old, could not understand. This is where the story begins, from a future vantage point, when 60-something Eve is looking back at the afternoon in which
One wonders if the "little bride" would have sat with the Monicas on the beach in "Jakarta". Would she, in the eyes of Kath and Sonje, inhabit the model of femininity that the Monicas represent? Or would they encourage her to join them behind the logs? McClelland & Stewart,
The cover of Christene A. Browne's Two Women pulled me back to a literary pilgrimage I made to Regent Park, in Toronto, after I read Rabindranath Maharaj's The Amazing Absorbing Boy. But Regent Park is not so much a character in this novel as the women themselves. Though, which two
While Love and Forgetting was in my stack of current reads, I listened to the World Book Club's podcast edition of a discussion of Albert Camus' The Outsider. Camus is someone whose work I associate with formal study, not pleasure, but Harriet Gilbert's interviews draw me into subjects I don't
